23,159 Royalty-Free Audio Tracks for "Midi Files Of Music Theory And Analysis"

Passage aus der sechsten Variation des dritten Satzes aus Beethovens Opus 109

Vivace aus Beethovens op. 79 und Reduktion nach Alfred Rosenberg

Habanera rhythm (tresillo) and 3:2 polyrhythm alternating for comparison.

A few bars (30,32, etc.) from Schuberts song "Der Lindenbaum"

Variation 3 des dritten Satzes aus Beethovens Klaviersonate Opus 109

Ausschnit (sul una corda) aus dem zweiten Satz von Beethovens Opus 109

Ausschnitte aus Mozart Klaviersonate KV 332 (erster Satz)

Variation 1 aus dem dritten Satz von Beethovens Klaviersonate Opus 109

Bach, Sinfonia in F minor BWV 795, mm. 1-3, composite rhythm.

Leitmotif of Siegfried form Act III of opera.

3:2 polyrhythm for comparison with the Habanera tresillo rhythm.

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750) MIDI file of dubious quality.

MIDI rendering of "Honte, paour, doubtance", a ballade by Guillaume de Machaut, 14th century

Variant of the Habanera rhythm.

Schoenberg - Variations for Orchestra op. 31 tone row.

Mirror forms, P, R, I, and RI, of a tone row (from Schoenberg's Variations for Orchestra op. 31): "Called mirror forms because...they are identical."

Violoncello chord on D.

Schoenberg - Piano Piece op.33a tone row.

Bebop dominant scale in C. Created by Hyacinth (talk) using Sibelius 5.

Deva Jazz: Jazz as you like it circa 1920 by Reginald A A Stoneham MIDI file of piano sheet music

Militärdrums aus dem ELP-Titel "Aquatarkus"

Ah je vous dirai maman theme

Intricate ornamentation in Op 27, No 2

Vergleich der Adagios von Haydn op. 64/Nr. 5 und Beethoven op. 2/1

Jean-Philippe Rameau: "Tambourin". 1724, from Pièces de clavecin avec une méthode pour la mécanique des doigts

I made this midi file; it is a performance of an In Nomine by John Bull, an English composer who died in 1628.

Francesco Durante: Vergine tutto amore.

Haydn, Sonata Hob. XVI:29, bars 1-4.

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Georg Friedrich Händel: Ombra mai fu ("Largo")

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

Secondary dominants in Beethoven's Symphony No. 1, introduction.

Claude Debussy's Premiere Arabesque melody and chords abstracted from that melody.

Motivic repetition in Beethoven's (1770–1827) Sonata in F major, op. 10, no. 2.

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.

Texas two-step drum pattern associated with the dance step.

6/8 clave, third form (rumba clave)

Chromatic run from Chopin's Prelude in C Minor, mm.5-6.

BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, Op. 60, No. 4, mm. 1-3.

6/8 clave, second form (son clave)

Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.

Standard bell pattern.

{{ennoin divisive form. Created by Hyacinth (talk) 05:09, 4 February 2012 (UTC) using Sibelius 5.}}

Rumba Clave Pattern in duple time.

Son Clave Pattern in triple time.

Created by Hyacinth (talk) 21:40, 28 July 2008 in Sibelius. Shuffle feel example played straight: with NO shuffle.

Cadenza from Beethoven's Concerto in C minor, piano part.

Basic half time shuffle.